STEFAN   ANTONI   GRASS


POETRY







THE LAST LOOK


Let me take just one more look, the final one this time
To see as sunset's brush smudges the sky with colours
And watch the ragged clouds swooping like playful doves
Listening to the wind tuning up the unstrung leaves.

I wish that I could wander in the evening's footsteps
Where moonlight witches teach their wisdom to the young
How to weave snares from cobwebs black widows make at night
While only bats and hooting owls swoop on their quiet watch.

Let me go with the smells and sounds ling'ring in my mind
Of  warm summers lost in the catacombs of  ancient time
Of  evening rituals and their eternal rhythms
The smell of roses at dusk mixing with ringing bells.

Let me depart in the blinding zigzags of lightnings
On the trail of the star-pilgrims who have known these paths
But when I reach the lighted gate, do let me stay a while
To watch through tears my earthly home dissolving in the mist.

24 August 2001





The Everlasting Temptation.
Lake District, Northern England.
(Photo: Stefan Grass)







WHEN MEN WERE POEMS OF GOD


"In the beginning was the Word..."
And men were God's created poems
Pearls born from angels' pain and tears
Scattered on heaven's golden floor.

Some men were born in flowing rhymes
But others came as verses blank
Sonorous vowels, consonants
And sonnets sent in gentle rhythms.

Angels and demons strive to speak
The lines of poems yet unborn
Unspoken poem is unsullied
He who recites it makes it live.

But even those that demons warp
Can be restored by angel's voice
and sung again with harps and lutes
To flow with the Song of Life.







ASRAEL THE ANGEL OF DEATH


The eyes of Asrael are fathomless
like two lakes in the valley of death
where a drop of blue is their sky
in the vastness of Nowhere.

Asrael knows the secret passages,
the gossamer bridges over dark chasms
and the passwords he whispers
to the watchful guardians of the Void.

He usually comes before sunrise,
opens the window to blow out the candle
and catching the wisp of smoke in his hand
carries it gently to the altars of Heaven.

Tender and loving like a soothing sleep,
Asrael dries the tears of painful farewells
And whispers words that heal the time
Making the end into a new Beginning.







SEPTEMBER


On Friday evening
The candle of August
Flickered in tiny gasps
Like a faraway star.

Above a country lane
A butterfly fluttered -
The sower of colours
A guest from Mariposa.

Tomorrow at dawn
September crows  
Will scatter in the garden
The first autumnal leaves.

31 August 2001








TRIAD


The triple braid of echoes
The fading sounds of autumn
The web of days and nights
Unreadable shreds of mist





The Geometry of Tree Braid.
(Photo: Stefan Grass)








HAIKU


With gentle wings a moth
Caressing the velvet of the night
I blew out the candle


A stag under an oak tree
Whispering leaves are betraying
The secrets of the branches


Wind has ruffled the flower-heads
Rose petals under my feet
Peace after a storm


A grasshopper chirps
The bluebells are chiming in
An evening concert


A snail at dawn
Left a silvery trail
Of confused hesitations


Heron at water's edge
Captures its own reflection
Golden carp swims away


A butterfly on a rose
Spreading its wings in the sun
The flower disappears


An old man by the oak
His wrinkled skin and the bark
Making comparisons







JOURNEY TO AN UNKNOWN WORLD


The sky stained with the redness of  sunset
mopped up the stain with cottonwool clouds.
A white sail was struggling on the horizon
to be geometrically precise
but slowly folded up into the rocking cradle
of the seas yet unnamed.

Our guiding star, confused
by the Milky Way's whirling arms,
was steering a hesitant course.
The mast was sketching drunken spirals
on the creased star-map of the sky.
In the crow's nest the lookout slept
when the witching gulls espied the land.

No man greeted us on the landing shore.
The tides have wiped off the hieroglyphs
of human feet on the blameless sand.
Only old echoes lurked in the silent rocks
and wind betrayed the whiff of distant smoke.

Daggers of lightning pierced the dying night.
At dawn the sails opened their geometric souls
and spread their wings like triangles in flight.
We've sailed away - ghosts from another world.
Invisible natives' chants were whistling overhead,
behind us - just thick mists and fog of no return.







MEMORY


The space between us has become unquiet
memory's living hedge no longer stands on guard
only the brambles bristle their defiance
at beetles’ buzzing in their chitin shells.

Do not search for sweet berries
in what's left of that bitter hedge.
The birds have flown from their empty nests
to the isles where memory is like wind
and life the ebb and flow of many dreams.

The hedge has died in our nameless space.
In hieroglyphs of tears we write its epitaph
on the wind-blown papyrus of the yellow dunes:
"Memory was an illusion of unremembered life".





Stored Behind the Memory Hedge.
Springtime in Hampstead (London). Silver birches and a riot of daffodils.
(Photo: Stefan Grass)








THE MAGIC OF TREES


Stand in the shade of an oak for strength,
Learn wisdom from the leaves of mighty ash.
Feel the sorrows of a weeping willow,
Ask beech to yield the secret of the runes.

But walk in the sunlight, for the heat of love
Transforms all that the trees can give to men.
Their roots commune with Gaia's inner fire
When swaying crowns touch the angels' feet.

The wind is tousling their untidy twigs,
And, when it rains, they gather shining drops
To make a necklace of  rainbow beads
And hang it on their praying arms to dry .

Dream in the shade of umbrella pines,
To a green eucalyptus always tell your wish.
And when it's time to say goodbye forever
Light cedarwood torch of the fragrant tree.





Every tree sends us a signal,
rarely though are we able to decipher it.
(Photo: Stefan Grass)








LEAVES


Leaves are the alphabet of  whisp'ring trees,
secret messages in unknown tongues
scratched on the white clouds and sent by the wind
into the wild geometry of shapes.

Some are like praying hands awaiting manna,
triangles covered with a net of veins,
heart-shaped and oval or sharp like a lance
and those that tremble at the human touch.

Leaves-alchemists transform the solar gold
into green jewels for the queen of woods.
Viridian spring, summery emeralds
And, in the autumn, multicoloured death.







THE SHADOW


Above the sleeping shadow of an oak
Leaves are eavesdropping on its dreams
And rustling in their own tongue
Betray green secrets of chlorophyll.

Then the one-eyed giant in the sky
Blinked and the shadow, curling up,
Crawled with the ants toward their home -
A sad Orpheus with his unstrung lute.

My shadow runs toward the gate -
An eager bondsman with the key,
At night, it sways in candlelight -
A dancing ghost on the white walls.

My alter ego yoked by light
The chiaroscuro of my days,
It waits patiently for that time
When we return to the Shadowland.






Biographical Note:

Stefan Antoni Grass, born 1920 in Lublin, Poland, was a member of the Polish Resistance Movement during WW2, serving in the Polish Home Army where he fought against the German and Soviet invaders. He was commissioned as 2nd Lt (wartime) and decorated with the Gold Cross of Merit with Swords.

Unable to remain in the Communist Poland because of his past underground activities, he escaped to Great Britain via Italy in April 1946. Shortly before escape, he made his debut as a writer with a lyrical story published in the first postwar literary magazine Kamena.

In his long and varied career in England, he was, for a number of years, a British journalist and editor of financial magazines (Management Accounting and Acccountans Weekly). After his early retirement in 1983 as Director of Information of a large professional body, he returned to Polish journalism contributing a bi-weekly column and critical book reviews to "The Polish Daily" (Dziennik Polski) in London - the oldest Polish language daily newspaper in Western Europe.

In the last few years he became interested in writing bilingual poems (Polish and English) in a search for the elusive similarity of metaphors on the border of these two languages, which have been a dominating influence throughout his literary career. His poetry has been published on the web in an anthology of Polish poets   http://www.poezja.exe.pl/.





Texts by Stefan Grass to be found in Zwoje (The Scrolls):




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